Ani difranco shaved head

Her lyrics come in torrents and typically combine autobiography, politics, and punchy aphorisms. As a child she lived a precociously independent life, leaving home at the age of fifteen and earning money playing popular songs on the sidewalk for tips and spare change. She soon began to write her own material and at eighteen moved to New York City, where she found mentors in her teachers at the New School for Social Research and in musicians on the folk-music scene, including the late Pete Seeger. Like Seeger, DiFranco believes that music is best shared through live performance. At her concerts political passion and intense emotion are felt by both performer and audience.
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It Looks a Little Rough (But It Runs Good Anyway)

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And there just isn't the kind of cultural context for a young white girl with a shaved head. Nobody knows what to make of it. Everybody is uncomfortable. People used to stop and ask me the time on the street. Now they cross the street to avoid walking past me.
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Ani DiFranco

I want a different kind of power. For DiFranco, success — and, by extension, power — is a blessing primarily in the sense that it allows her to put her money where her mouth and heart have always been. For example, she founded her own record label, Righteous Babe Records, at the age of nineteen in The fact that she has succeeded again and again with this approach says as much about the so-called rules as it does about her refusal to go along with them. The only thing that may suggests this humble and tiny package is the source of such a long list of remarkable accomplishments is her infectious enthusiasm for topics that are dear to her, her razor sharp wit and her charming sense of humor.
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Ani DiFranco illustration by Andy Friedman. The person who first declared "The Personal is Political" would be hard-pressed to find a public figure either more political or more personal than Angela Maria DiFranco. It started in small clubs and coffeehouses in , when word of mouth began to spread about the little girl, too young to really be in the room, with the big guitar and the bigger voice. As an emancipated teenager with a shaved head and platform boots, Ani DiFranco stomped into the hearts of young people yes, mostly women looking to put their angst into words and their lives into focus. I know so many artists… it's a tough road to go — performance art, music, visual arts — it's hard to pay the bills.
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